According to writer Son Nam: Lai Thieu is only 15km away from Cay Mai pottery kiln (ancient pottery kilns in Ho Chi Minh City). Around 1867, when the Mai Mai pottery lacked the raw materials, some of the furnace owners moved to the Lai Thieu area to settle down.
Because of the abundance of local kaolin resources, smooth waterway system, it is ideal for developing pottery. And until now, Lai Thieu is still considered as the center of pottery development of Binh Duong. From here, the pottery profession gradually spread to neighboring areas of An Thanh, Hung Dinh (Thuan An), Tan Phuoc Khanh (Tan Uyen).
As noted in the Monographie de la province de Thudaumot, published by the Indochina Research Society in 1910, the French wrote about the Lai Thieu pottery as follows: In the province (Thu Dau Mot), there are about 40 pottery kilns. One of which is An Thoi 5 kiln, Tan Thoi 1 kiln, Phu Cuong 11 kiln, Binh Chien 3 kiln, and 9 kilns in Tan Khanh. Main workshop in Lai Thieu and where it is the most developed center for pottery. In addition to the three ovens of the Vietnamese, the rest are owned by overseas Chinese. These furnaces provide pottery throughout Cochinchine.
Archaeological excavation results in Go Da - Doc Chua, Cu Lao Rua, Phu Chanh, My Loc ... in Binh Duong province show that the ceramic craft was born very early by the Vietnamese community. - Flowers migrated to this area at the end of the 19th century. As well as the South Eastern Ceramics Center (Dong Nai, Saigon), Binh Duong ceramics are in the early stages of product development. Traditional Fujian pottery. At the first time Binh Duong produced household ceramic products: pottery, pottery, earthenware, bowls, tea pots ... for domestic demand.
In the 1950s and 1960s, ceramic kilns began to produce decorative ceramics for domestic and foreign demand. In the late decades of the 20th century and early 21st century, Binh Duong ceramics entered the technology transfer stage in modern industrial processes. Most of the traditional kilns were replaced with furnaces or Gas; The product code, color glaze, decoration art is more diverse and sharp ... representative of the fine art of fine arts Minh Long.
In general, production organizations are now mostly machinery. The technology has significantly liberated manual labor, the product quality is better, uniform, beautiful model ... However, with the way of production with modern technology, ceramic goods are quality. Good amount in terms of industry. But in terms of creativity, beauty and soul, humanity in the product is completely absent. Because of the manual processes, the creativity on the product in the "mood" of the artisans is lost. Because to create a ceramic product must go through the process of soil, shaping, decorating patterns, glaze, then put into the furnace ... With the creativity and skillful hands of pottery, Vietnamese ceramics Nam has become a special folk art form. Products are available to tens of thousands of models; The patterns, patterns on the products are stylized from animals and plants in folklore and modern (pasture, buffalo playing flute, country scenery, poetry ...).
In the present period, Binh Duong pottery has a great development compared to before, products are preferred by customers at home and abroad. Especially domestic products, high-grade ceramic products used for decoration are very popular markets in Europe and America. In each product crystallize the perfect blend of pure Vietnamese materials, under the ingenuity of Vietnamese-Chinese potters, should bring unique features. The lines, patterns, designs attract visitors to the place of production to see and enjoy the art. And the pottery is also confirmed and on the way to become a tourist center of craft villages bearing the cultural identity of Vietnam.
Binh Duong pottery is growing in three places: Lai Thieu, Chanh Nghia and Tan Phuoc Khanh. Temporary divided into four stages: the formation and development (1867 - 1945); The prosperous period (1945-1975), technical advances (1975-1986) and the redevelopment period (1986 to present).
More than 150 years of establishment and development, Binh Duong ceramics have a few ups and downs, but generally continue to develop, making important contributions to the economy and society of the locality. Throughout its history, the Vietnamese-Chinese community and indigenous peoples have joined together in the struggle, together with the cultural intercourse of many crystallized regions into the cultural identity of the Binh Duong people. Typical are traditional professions. The motifs, patterns have clearly shown that on each ceramic product and have conquered the hearts and minds of many people around the world.
However, in order to develop the village of ceramic tourism, many people think that they should refer to how to develop trade villages of some countries in the region such as Thailand, Japan ... because they are very Vietnam pottery factory
Vietnam pottery factory
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